I was never happy with the prints I made of this negative (detailed here) so thought I would take the worst of two, which was far too dark, and see if I could improve on it with some post-processing.
Continue reading →Ross Ensign Autorange; Tri-X 400 ISO developed in PMK. Print on Adox Nuance Grade 2, developed in Neutol WA, 4 mins. Toned in Selenium followed by Gold. Adox Nuance is one of my favourite papers as it takes toning so … Continue reading →
Lith print on Fomatone MG Classic Glossy, toned in selenium and gold This print is made on Fomatone 131 Glossy from an Ilford Delta 100 negative developed in PMK developer.
Continue reading →Lith print on Adox Nuance Grade 3 paper, selenium and gold toned. A print made from a 120 film negative exposed in an old Koroll camera; HP5 developed in Rodinal.
Continue reading →Click on images to embiggen… Lith print on Fomatone, toned with gold. Lith print on Adox Nuance Grade 3, toned in weak selenium, followed by gold. Conventional silver print on Adox Nuance Grade 3, toned with selenium. Print on Fomatone … Continue reading →
Print from the first digital negative I made. Lith print from a large format digital negative prepared from a RAW digital file. Print toned with gold over selenium on Fomatone paper. This was my first attempt at creating a digital … Continue reading →
St Peter-on-the-Wall, Bradwell Lith print made on Fomatone paper processed in Ansco 70 developer, toned with selenium followed by gold.
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