↓
 

Real Photographs

Pictures made with chemicals

Real Photographs
Real Photographs
  • Home
  • About
  • Images on Film
  • Lith Printing
  • Formulæ
    • Chemical Suppliers
    • Film Developers
      • Beutler Developer (Neofin type)
      • PMK
    • Fixers
      • Agfa 304 Rapid Fixer
      • Alkaline Fixers (Tim Rudman)
      • Hypo Clearing Agent
      • TF-2 Alkaline
      • Kodak F-24
    • Lith Developers
      • Ansco 70
      • Formulae from Melaleuca
    • Print Developers
      • Agfa 108 High Contrast
      • Amidol
      • Ansco 120 Soft
      • Ilford ID-78
    • Toners & Bleaches
      • Copper Sulfate Bleach
      • Copper Toner
      • Ilford IT-6 Blue
    • Kodak Formulary
      • Kodak Safelight Filters
Real Photographs→Tags 120

Tag Archives: 120

Ensign Commando

Real Photographs Posted on September 23, 2017 by Roy HammansSeptember 23, 2017

I was given this curiosity by some friends recently.

Continue reading →
Posted in 120, Cameras | Tagged 120, camera | Leave a reply

Powerscourt, Ireland – The Pepper Pot Tower

Real Photographs Posted on January 18, 2011 by Real PhotographsMarch 26, 2015

Ensign Autorange 120, Tri-X 400 in PMK developer. Print on Adox Nuance Grade 2, Neutol WA 1+11. Selenium toned.

Continue reading →
Posted in 120, Film negative, Selenium, Silver Gelatin, Toned Print | Tagged 120, film-based, photography, Silver-Gelatin Print | Leave a reply

Windfalls

Real Photographs Posted on November 15, 2009 by Real PhotographsMarch 26, 2015

Lith print on Adox Nuance Grade 3 paper, selenium and gold toned. A print made from a 120 film negative exposed in an old Koroll camera; HP5 developed in Rodinal.

Continue reading →
Posted in 120, Chemical Lith Process, Film negative, Gold, Selenium, Silver Gelatin, Toned Print | Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Tate Modern

Real Photographs Posted on November 8, 2009 by Real PhotographsMarch 26, 2015

Print on Ilford Multigrade Warmtone Fibre, 2nd-pass lith development. Original print processed conventionally on Ilford Warmtone Multigrade FB, selenium toned, then bleached in ferricyanide and redeveloped in Ansco 70 lith developer. Ilford Warmtone is a paper that does not lith … Continue reading →

Posted in 35mm, Chemical Lith Process, Film negative, Silver Gelatin | Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Reclining Figure – Henry Moore

Real Photographs Posted on November 7, 2009 by Real PhotographsMarch 26, 2015

Lith print on Foma Nature 532. From an old 120 negative that had a processing fault resulting in a mottled bubble effect over the lower half. It never worked as a normal print because of this, but the lith process … Continue reading →

Posted in 120, 2nd-pass Lith, Chemical Lith Process, Film negative, Silver Gelatin | Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Nyctophilia

(n.) Love of darkness or night; finding relaxation or comfort in the darkness.

All darkroom users should experience this...

Recent Posts

  • The Light Farm
  • Neglected
  • Sheriff Hutton Castle – ‘Pseudo Lith’

Related Sites

  • The Golden Fleece – my main site
  • My Flickr Pages

Forums

  • Film & Darkroom User (FADU)
  • Large Format Photography Forum
  • PHOTRIO (formerly APUG)

Resource Sites

  • The Online Photographer
  • The Massive Dev Chart
  • The Online Darkroom
  • Tim Rudman

Suppliers

  • List of UK Suppliers

Archived Posts

©2021 - Real Photographs - Weaver Xtreme Theme
↑