Nyctophilia
(n.) Love of darkness or night; finding relaxation or comfort in the darkness.
All darkroom users should experience this...
Tag Archives: Silver-Gelatin Print
Powerscourt, Ireland – The Pepper Pot Tower
Ensign Autorange 120, Tri-X 400 in PMK developer. Print on Adox Nuance Grade 2, Neutol WA 1+11. Selenium toned.
Posted in 120, Film negative, Selenium, Silver Gelatin, Toned Print
Tagged 120, film-based, photography, Silver-Gelatin Print
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Garden Ornaments, Weeping Ash
This gallery, produced using the WordPress NextGEN plugin, is set to display using Thickbox Highslide. It is a very neat and comprehensive plugin and appears to work well. It is able to use Highslide, which is my preferred method of … Continue reading
Windfalls
Lith print on Adox Nuance Grade 3 paper, selenium and gold toned. A print made from a 120 film negative exposed in an old Koroll camera; HP5 developed in Rodinal.
Posted in 120, Chemical Lith Process, Film negative, Gold, Selenium, Silver Gelatin, Toned Print
Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print
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Bronte Bridge, Haworth, Yorkshire
Kentona paper, 2nd-pass lith development. The so-called Brontë Bridge is near Haworth, Yorkshire and was, by all accounts, a place often frequented by the Brontë Sisters. Read more about them here.
Posted in 120, 2nd-pass Lith, Film negative, Silver Gelatin
Tagged Chemical Lith Process, film-based, Silver-Gelatin Print
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Thornton Force, Yorkshire
Print on Kentona(?) paper, 2nd-pass lith development. Original print on – I believe – untoned Kentona paper in D-163 developer, then fully bleached in ferricyanide and redeveloped in Ansco 70 lith developer. The curious split-toning that has resulted was an … Continue reading
Posted in 120, 2nd-pass Lith, Film negative, Silver Gelatin
Tagged Chemical Lith Process, film-based, Silver-Gelatin Print
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Tate Modern
Print on Ilford Multigrade Warmtone Fibre, 2nd-pass lith development. Original print processed conventionally on Ilford Warmtone Multigrade FB, selenium toned, then bleached in ferricyanide and redeveloped in Ansco 70 lith developer. Ilford Warmtone is a paper that does not lith … Continue reading
Posted in 35mm, Chemical Lith Process, Film negative, Silver Gelatin
Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print
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Reclining Figure – Henry Moore
Lith print on Foma Nature 532. From an old 120 negative that had a processing fault resulting in a mottled bubble effect over the lower half. It never worked as a normal print because of this, but the lith process … Continue reading
Chapter House Ceiling, Wells Cathedral
Lith print on Fomatone MG Classic paper. Lith print made from a 120 film negative, printed on Fomatone 131 Glossy and developed in LD-20.
St Peter-on-the-Wall, Bradwell (redux)
Lith print on Fomatone MG Classic, developed in a soup of LD-20 and Ansco 70. A different viewpoint on the church shown in this post.
The Blacksmith’s Shop
Click to embiggen Lith print from a digital negative contact printed on Fomatone paper, LD20 developer. untoned. From a digital negative made from a Nikon digital image, printed on Fomatone MG Classic paper, lith processed in LD20. A tableau photographed … Continue reading