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Real Photographs

Pictures made with chemicals

Real Photographs
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Real Photographs→Tags Silver-Gelatin Print

Tag Archives: Silver-Gelatin Print

A print made on silver-gelatin photographic paper

Powerscourt, Ireland – The Pepper Pot Tower

Real Photographs Posted on January 18, 2011 by Real PhotographsMarch 26, 2015

Ensign Autorange 120, Tri-X 400 in PMK developer. Print on Adox Nuance Grade 2, Neutol WA 1+11. Selenium toned.

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Posted in Film negative, Film-120, Selenium, Silver Gelatin, Toned Print | Tagged 120, film-based, photography, Silver-Gelatin Print | Leave a reply

Garden Ornaments, Weeping Ash

Real Photographs Posted on June 27, 2010 by Real PhotographsApril 9, 2022

This gallery, produced using the WordPress NextGEN plugin, is set to display using Thickbox Highslide. It is a very neat and comprehensive plugin and appears to work well. It is able to use Highslide, which is my preferred method of … Continue reading →

Posted in Scanned Negative | Tagged film-based, gallery, Silver-Gelatin Print | Leave a reply

Windfalls

Real Photographs Posted on November 15, 2009 by Real PhotographsMarch 26, 2015

Lith print on Adox Nuance Grade 3 paper, selenium and gold toned. A print made from a 120 film negative exposed in an old Koroll camera; HP5 developed in Rodinal.

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Posted in Chemical Lith Process, Film negative, Film-120, Gold, Selenium, Silver Gelatin, Toned Print | Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Bronte Bridge, Haworth, Yorkshire

Real Photographs Posted on November 10, 2009 by Real PhotographsMarch 26, 2015

Kentona paper, 2nd-pass lith development. The so-called Brontë Bridge is near Haworth, Yorkshire and was, by all accounts, a place often frequented by the Brontë Sisters. Read more about them here.

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Posted in 2nd-pass Lith, Film negative, Film-120, Silver Gelatin | Tagged Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Thornton Force, Yorkshire

Real Photographs Posted on November 9, 2009 by Real PhotographsMarch 26, 2015

Print on Kentona(?) paper, 2nd-pass lith development. Original print on – I believe – untoned Kentona paper in D-163 developer, then fully bleached in ferricyanide and redeveloped in Ansco 70 lith developer. The curious split-toning that has resulted was an … Continue reading →

Posted in 2nd-pass Lith, Film negative, Film-120, Silver Gelatin | Tagged Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Tate Modern

Real Photographs Posted on November 8, 2009 by Real PhotographsMarch 26, 2015

Print on Ilford Multigrade Warmtone Fibre, 2nd-pass lith development. Original print processed conventionally on Ilford Warmtone Multigrade FB, selenium toned, then bleached in ferricyanide and redeveloped in Ansco 70 lith developer. Ilford Warmtone is a paper that does not lith … Continue reading →

Posted in Chemical Lith Process, Film negative, Film-35mm, Silver Gelatin | Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Reclining Figure – Henry Moore

Real Photographs Posted on November 7, 2009 by Real PhotographsMarch 26, 2015

Lith print on Foma Nature 532. From an old 120 negative that had a processing fault resulting in a mottled bubble effect over the lower half. It never worked as a normal print because of this, but the lith process … Continue reading →

Posted in 2nd-pass Lith, Chemical Lith Process, Film negative, Film-120, Silver Gelatin | Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Chapter House Ceiling, Wells Cathedral

Real Photographs Posted on November 3, 2009 by Real PhotographsMarch 26, 2015

Lith print on Fomatone MG Classic paper. Lith print made from a 120 film negative, printed on Fomatone 131 Glossy and developed in LD-20.

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Posted in Chemical Lith Process, Film negative, Film-120, Silver Gelatin | Tagged Chemical Lith Process, film-based, photography, Silver-Gelatin Print | Leave a reply

St Peter-on-the-Wall, Bradwell (redux)

Real Photographs Posted on November 2, 2009 by Real PhotographsMarch 26, 2015

Lith print on Fomatone MG Classic, developed in a soup of LD-20 and Ansco 70. A different viewpoint on the church shown in this post.

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Posted in Chemical Lith Process, Digital Negative, Silver Gelatin | Tagged Chemical Lith Process, film-based, photography, Silver-Gelatin Print | Leave a reply

The Blacksmith’s Shop

Real Photographs Posted on October 25, 2009 by Real PhotographsMarch 26, 2015

Click to embiggen Lith print from a digital negative contact printed on Fomatone paper, LD20 developer. untoned. From a digital negative made from a Nikon digital image, printed on Fomatone MG Classic paper, lith processed in LD20. A tableau photographed … Continue reading →

Posted in Chemical Lith Process, Digital Negative, Silver Gelatin | Tagged Chemical Lith Process, film-based, photography, Silver-Gelatin Print | 1 Reply

Nyctophilia

(n.) Love of darkness or night; finding relaxation or comfort in the darkness.

All darkroom users should experience this…

This blog charts my sporadic explorations of darkroom techniques.

Categories

  • 2nd-pass Lith
  • Alternative
  • Cameras
  • Chemical Lith Process
  • Colour
  • Contact Print
  • Copper
  • Digital Lith Process
  • Digital Negative
  • Film negative
  • Film-120
  • Film-35mm
  • Film-5×4
  • Film-8×10
  • Gold
  • Iron
  • News
  • Other Photographers
  • Scanned Negative
  • Selenium
  • Sepia
  • Silver Gelatin
  • Split-toned
  • Toned Print

Recent Posts

  • The Colours of Black & White – 1
  • The Light Farm
  • Neglected

Related Sites

  • The Golden Fleece – my main site
  • My Instagram
  • My Flickr Pages (rarely updated)

Forums

  • Film & Darkroom User (FADU)
  • Large Format Photography Forum
  • PHOTRIO (formerly APUG)

Resource Sites

  • The Online Photographer
  • The Massive Dev Chart
  • The Online Darkroom
  • Tim Rudman

Suppliers

  • List of UK Suppliers

Archived Posts

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