Cliff top, Cromer This image, made on 5 x 4 inch sheet film, has been printed using a point-source lamp in the enlarger. This light source, combined with a high-quality enlarging lens, produces extremely sharp prints and is capable of … Continue reading →
The entrance to Lacock Abbey, birthplace of the positive-negative process. The original print from which this scan was made dates from the 1980s and was made on Kodalith Transtar TP paper, one of the nicest lith papers ever produced, developed … Continue reading →
Split-toned lith print from film negative. I’m not completely happy with this one and feel it needs more attention. Fomatone MG Classic paper, developed in LD20 and toned in selenium.
Continue reading →Golden Cockerel, lith print from 120 film negative, on Fomatone MG Classic. Perhaps the best colour achieved by me in a lith print to date. This was produced at the end of a printing session with nearly exhausted LD20 developer. … Continue reading →
Near Maylandsea. Lith print made on Fomatone MG Classic paper, developed in LD20 developer. Some interesting greenish blacks amongst the warm tones here.
Continue reading →Print from the first digital negative I made. Lith print from a large format digital negative prepared from a RAW digital file. Print toned with gold over selenium on Fomatone paper. This was my first attempt at creating a digital … Continue reading →
This is from a series made in the 1980s of the area of Cambridge known as The Kite. A set of pictures from this 1980s project may be viewed on my main site – Weeping Ash.
Continue reading →This was the successful first lith print made using present day materials. This print is on Fomatone paper, processed for 25 minutes in Ansco 70 developer. Prior to this, I had only ever made lith prints around 20 years ago, … Continue reading →
Darwin’s Pots In Charles Darwin’s potting shed at his home in Downe, Kent. Lith print made from a large-format digital negative derived from a RAW digital file. Fomatone paper, split-toned in selenium.
Continue reading →Selenium toned silver print made on Adox Nuance Grade 3 paper; original negative made with a Sinar P 5×4 camera on T-Max 100 film.
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