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Real Photographs

Pictures made with chemicals

Real Photographs
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Snow Tyre

Real Photographs Posted on November 23, 2009 by Real PhotographsMarch 26, 2015

Lith print on Adox Nuance Grade 3, untoned Last winter in the garden here at Weeping Ash.

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Posted in Chemical Lith Process, Film negative, Film-120, Silver Gelatin | Leave a reply

Windfalls

Real Photographs Posted on November 15, 2009 by Real PhotographsMarch 26, 2015

Lith print on Adox Nuance Grade 3 paper, selenium and gold toned. A print made from a 120 film negative exposed in an old Koroll camera; HP5 developed in Rodinal.

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Posted in Chemical Lith Process, Film negative, Film-120, Gold, Selenium, Silver Gelatin, Toned Print | Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

St George and Dragon

Real Photographs Posted on November 13, 2009 by Real PhotographsMarch 26, 2015

Fotospeed lith paper, LD-20 developer, untoned This is a print made whilst attending the Tim Rudman Lith Workshop in Ealing this week.

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Posted in Digital Negative, Silver Gelatin | Tagged Chemical Lith Process, digital negative | Leave a reply

Bronte Bridge, Haworth, Yorkshire

Real Photographs Posted on November 10, 2009 by Real PhotographsMarch 26, 2015

Kentona paper, 2nd-pass lith development. The so-called Brontë Bridge is near Haworth, Yorkshire and was, by all accounts, a place often frequented by the Brontë Sisters. Read more about them here.

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Posted in 2nd-pass Lith, Film negative, Film-120, Silver Gelatin | Tagged Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Thornton Force, Yorkshire

Real Photographs Posted on November 9, 2009 by Real PhotographsMarch 26, 2015

Print on Kentona(?) paper, 2nd-pass lith development. Original print on – I believe – untoned Kentona paper in D-163 developer, then fully bleached in ferricyanide and redeveloped in Ansco 70 lith developer. The curious split-toning that has resulted was an … Continue reading →

Posted in 2nd-pass Lith, Film negative, Film-120, Silver Gelatin | Tagged Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Tate Modern

Real Photographs Posted on November 8, 2009 by Real PhotographsMarch 26, 2015

Print on Ilford Multigrade Warmtone Fibre, 2nd-pass lith development. Original print processed conventionally on Ilford Warmtone Multigrade FB, selenium toned, then bleached in ferricyanide and redeveloped in Ansco 70 lith developer. Ilford Warmtone is a paper that does not lith … Continue reading →

Posted in Chemical Lith Process, Film negative, Film-35mm, Silver Gelatin | Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Reclining Figure – Henry Moore

Real Photographs Posted on November 7, 2009 by Real PhotographsMarch 26, 2015

Lith print on Foma Nature 532. From an old 120 negative that had a processing fault resulting in a mottled bubble effect over the lower half. It never worked as a normal print because of this, but the lith process … Continue reading →

Posted in 2nd-pass Lith, Chemical Lith Process, Film negative, Film-120, Silver Gelatin | Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Chapter House Ceiling, Wells Cathedral

Real Photographs Posted on November 3, 2009 by Real PhotographsMarch 26, 2015

Lith print on Fomatone MG Classic paper. Lith print made from a 120 film negative, printed on Fomatone 131 Glossy and developed in LD-20.

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Posted in Chemical Lith Process, Film negative, Film-120, Silver Gelatin | Tagged Chemical Lith Process, film-based, photography, Silver-Gelatin Print | Leave a reply

St Peter-on-the-Wall, Bradwell (redux)

Real Photographs Posted on November 2, 2009 by Real PhotographsMarch 26, 2015

Lith print on Fomatone MG Classic, developed in a soup of LD-20 and Ansco 70. A different viewpoint on the church shown in this post.

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Posted in Chemical Lith Process, Digital Negative, Silver Gelatin | Tagged Chemical Lith Process, film-based, photography, Silver-Gelatin Print | Leave a reply

Memoria Vitae – Clarice Cliff Vase

Real Photographs Posted on October 31, 2009 by Real PhotographsMarch 26, 2015

click to embiggen Digital lith image from a scanned silver negative on 120 film This vase is an original Clarice Cliff design. It has been in the family since the 1930s and came to me after mum died. It forms … Continue reading →

Posted in Digital Lith Process, Film negative, Film-120, Scanned Negative | Tagged film-based, photography | 3 Replies

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Nyctophilia

(n.) Love of darkness or night; finding relaxation or comfort in the darkness.

All darkroom users should experience this…

This blog charts my sporadic explorations of darkroom techniques.

Categories

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Recent Posts

  • The Colours of Black & White – 1
  • The Light Farm
  • Neglected

Related Sites

  • The Golden Fleece – my main site
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Resource Sites

  • The Online Photographer
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Suppliers

  • List of UK Suppliers

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