Print on Ilford Multigrade Warmtone Fibre, 2nd-pass lith development. Original print processed conventionally on Ilford Warmtone Multigrade FB, selenium toned, then bleached in ferricyanide and redeveloped in Ansco 70 lith developer. Ilford Warmtone is a paper that does not lith … Continue reading →
Lith print on Foma Nature 532. From an old 120 negative that had a processing fault resulting in a mottled bubble effect over the lower half. It never worked as a normal print because of this, but the lith process … Continue reading →
Lith print on Fomatone MG Classic paper. Lith print made from a 120 film negative, printed on Fomatone 131 Glossy and developed in LD-20.
Continue reading →click to embiggen Digital lith image from a scanned silver negative on 120 film This vase is an original Clarice Cliff design. It has been in the family since the 1930s and came to me after mum died. It forms … Continue reading →
Meandering Jetty, Maylandsea, Essex Lith print on Fomatone MG Classic, from a 6x9cm negative on HP5 film.
Continue reading →Click on images to embiggen… Lith print on Fomatone, toned with gold. Lith print on Adox Nuance Grade 3, toned in weak selenium, followed by gold. Conventional silver print on Adox Nuance Grade 3, toned with selenium. Print on Fomatone … Continue reading →
Cliff top, Cromer This image, made on 5 x 4 inch sheet film, has been printed using a point-source lamp in the enlarger. This light source, combined with a high-quality enlarging lens, produces extremely sharp prints and is capable of … Continue reading →
The entrance to Lacock Abbey, birthplace of the positive-negative process. The original print from which this scan was made dates from the 1980s and was made on Kodalith Transtar TP paper, one of the nicest lith papers ever produced, developed … Continue reading →
Split-toned lith print from film negative. I’m not completely happy with this one and feel it needs more attention. Fomatone MG Classic paper, developed in LD20 and toned in selenium.
Continue reading →Golden Cockerel, lith print from 120 film negative, on Fomatone MG Classic. Perhaps the best colour achieved by me in a lith print to date. This was produced at the end of a printing session with nearly exhausted LD20 developer. … Continue reading →