Surprise
Lith print on Fomatone 131, untoned This is a view of the Buckeye Tree outside our kitchen window. When I put the bird box up its position was not pre-determined, I just fixed it in what I thought would … Continue reading →
Category Archives: Film negative
Quarry, Burwell, Cambs
Royal-X Pan 120 Roll Film, Mamiya RB67. This was photographed some 30 years ago, whilst running a photography workshop in Cambridge. Contrary to everyone’s belief, the flower was not placed there by the photographer! The film was Kodak Royal-X Pan, … Continue reading →
Leigh-on-Sea, Essex
Leigh-on-Sea, Essex From a 5×4 film negative, straight bromide print on Ilford Galerie fibre paper, selenium toned.
Continue reading →Fury, Harlow Town Park
Lith print on Fomatone MG Classic Glossy, toned in selenium and gold This print is made on Fomatone 131 Glossy from an Ilford Delta 100 negative developed in PMK developer.
Continue reading →Snow Tyre
Lith print on Adox Nuance Grade 3, untoned Last winter in the garden here at Weeping Ash.
Continue reading →Windfalls
Lith print on Adox Nuance Grade 3 paper, selenium and gold toned. A print made from a 120 film negative exposed in an old Koroll camera; HP5 developed in Rodinal.
Continue reading →Bronte Bridge, Haworth, Yorkshire
Kentona paper, 2nd-pass lith development. The so-called Brontë Bridge is near Haworth, Yorkshire and was, by all accounts, a place often frequented by the Brontë Sisters. Read more about them here.
Continue reading →Thornton Force, Yorkshire
Print on Kentona(?) paper, 2nd-pass lith development. Original print on – I believe – untoned Kentona paper in D-163 developer, then fully bleached in ferricyanide and redeveloped in Ansco 70 lith developer. The curious split-toning that has resulted was an … Continue reading →
Tate Modern
Print on Ilford Multigrade Warmtone Fibre, 2nd-pass lith development. Original print processed conventionally on Ilford Warmtone Multigrade FB, selenium toned, then bleached in ferricyanide and redeveloped in Ansco 70 lith developer. Ilford Warmtone is a paper that does not lith … Continue reading →
Reclining Figure – Henry Moore
Lith print on Foma Nature 532. From an old 120 negative that had a processing fault resulting in a mottled bubble effect over the lower half. It never worked as a normal print because of this, but the lith process … Continue reading →