Hatfield Forest
Split-toned lith print from film negative. I’m not completely happy with this one and feel it needs more attention. Fomatone MG Classic paper, developed in LD20 and toned in selenium.
Continue reading →Split-toned lith print from film negative. I’m not completely happy with this one and feel it needs more attention. Fomatone MG Classic paper, developed in LD20 and toned in selenium.
Continue reading →Golden Cockerel, lith print from 120 film negative, on Fomatone MG Classic. Perhaps the best colour achieved by me in a lith print to date. This was produced at the end of a printing session with nearly exhausted LD20 developer. … Continue reading →
Near Maylandsea. Lith print made on Fomatone MG Classic paper, developed in LD20 developer. Some interesting greenish blacks amongst the warm tones here.
Continue reading →This is from a series made in the 1980s of the area of Cambridge known as The Kite. A set of pictures from this 1980s project may be viewed on my main site – Weeping Ash.
Continue reading →This was the successful first lith print made using present day materials. This print is on Fomatone paper, processed for 25 minutes in Ansco 70 developer. Prior to this, I had only ever made lith prints around 20 years ago, … Continue reading →
Selenium toned silver print made on Adox Nuance Grade 3 paper; original negative made with a Sinar P 5×4 camera on T-Max 100 film.
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