Photographed on 8×10 Adox CHS100 sheet film, processed in Rodinal and printed on Fomatone paper, selenium toned. Contact print from an 8×10 negative on Adox CHS 100 negative processed in Rodinal 1+25 6mins 20°C, printed on Adox Nuance G2. Print … Continue reading →
8×10 film negative on Adox CHS 100, developed in Rodinal 1+25 6mins continuous agitation at 20 deg.C. The first exposure on a borrowed Toyo 8×10 monorail camera. Zeiss Protar 32cm shutterless lens, 10 second exposure at f36 on Adox CHS … Continue reading →
Lith print on Fomatone 131, untoned This is a view of the Buckeye Tree outside our kitchen window. When I put the bird box up its position was not pre-determined, I just fixed it in what I thought would … Continue reading →
Royal-X Pan 120 Roll Film, Mamiya RB67. This was photographed some 30 years ago, whilst running a photography workshop in Cambridge. Contrary to everyone’s belief, the flower was not placed there by the photographer! The film was Kodak Royal-X Pan, … Continue reading →
Leigh-on-Sea, Essex From a 5×4 film negative, straight bromide print on Ilford Galerie fibre paper, selenium toned.
Continue reading →Lith print on Fomatone MG Classic Glossy, toned in selenium and gold This print is made on Fomatone 131 Glossy from an Ilford Delta 100 negative developed in PMK developer.
Continue reading →Lith print on Adox Nuance Grade 3, untoned Last winter in the garden here at Weeping Ash.
Continue reading →Lith print on Adox Nuance Grade 3 paper, selenium and gold toned. A print made from a 120 film negative exposed in an old Koroll camera; HP5 developed in Rodinal.
Continue reading →Fotospeed lith paper, LD-20 developer, untoned This is a print made whilst attending the Tim Rudman Lith Workshop in Ealing this week.
Continue reading →Kentona paper, 2nd-pass lith development. The so-called Brontë Bridge is near Haworth, Yorkshire and was, by all accounts, a place often frequented by the Brontë Sisters. Read more about them here.
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