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Real Photographs→Categories Chemical Lith Process→2nd-pass Lith - Page 2 << 1 2

Category Archives: 2nd-pass Lith

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Slavich Unibrom EasyLith – Second Prints

Real Photographs Posted on January 20, 2013 by Real PhotographsMarch 26, 2015
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Posted in 2nd-pass Lith, Chemical Lith Process, Film negative, Film-120, Silver Gelatin | 3 Replies

Slavich Unibrom EasyLith – First Prints

Real Photographs Posted on January 19, 2013 by Real PhotographsMarch 26, 2015
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Posted in 2nd-pass Lith, Chemical Lith Process, Film negative, Film-120, Silver Gelatin | 2 Replies

Bronte Bridge, Haworth, Yorkshire

Real Photographs Posted on November 10, 2009 by Real PhotographsMarch 26, 2015

Kentona paper, 2nd-pass lith development. The so-called Brontë Bridge is near Haworth, Yorkshire and was, by all accounts, a place often frequented by the Brontë Sisters. Read more about them here.

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Posted in 2nd-pass Lith, Film negative, Film-120, Silver Gelatin | Tagged Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Thornton Force, Yorkshire

Real Photographs Posted on November 9, 2009 by Real PhotographsMarch 26, 2015

Print on Kentona(?) paper, 2nd-pass lith development. Original print on – I believe – untoned Kentona paper in D-163 developer, then fully bleached in ferricyanide and redeveloped in Ansco 70 lith developer. The curious split-toning that has resulted was an … Continue reading →

Posted in 2nd-pass Lith, Film negative, Film-120, Silver Gelatin | Tagged Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

Reclining Figure – Henry Moore

Real Photographs Posted on November 7, 2009 by Real PhotographsMarch 26, 2015

Lith print on Foma Nature 532. From an old 120 negative that had a processing fault resulting in a mottled bubble effect over the lower half. It never worked as a normal print because of this, but the lith process … Continue reading →

Posted in 2nd-pass Lith, Chemical Lith Process, Film negative, Film-120, Silver Gelatin | Tagged 120, Chemical Lith Process, film-based, Silver-Gelatin Print | Leave a reply

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