Hatfield Forest
Split-toned lith print from film negative. I’m not completely happy with this one and feel it needs more attention. Fomatone MG Classic paper, developed in LD20 and toned in selenium.
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Golden Cockerel
Golden Cockerel, lith print from 120 film negative, on Fomatone MG Classic. Perhaps the best colour achieved by me in a lith print to date. This was produced at the end of a printing session with nearly exhausted LD20 developer. … Continue reading →
Essex Coast
Near Maylandsea. Lith print made on Fomatone MG Classic paper, developed in LD20 developer. Some interesting greenish blacks amongst the warm tones here.
Continue reading →Fatsia
Print from the first digital negative I made. Lith print from a large format digital negative prepared from a RAW digital file. Print toned with gold over selenium on Fomatone paper. This was my first attempt at creating a digital … Continue reading →
Cambridge Kite Area
This is from a series made in the 1980s of the area of Cambridge known as The Kite. A set of pictures from this 1980s project may be viewed on my main site – Weeping Ash.
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This was the successful first lith print made using present day materials. This print is on Fomatone paper, processed for 25 minutes in Ansco 70 developer. Prior to this, I had only ever made lith prints around 20 years ago, … Continue reading →
Darwin’s Pots
Darwin’s Pots In Charles Darwin’s potting shed at his home in Downe, Kent. Lith print made from a large-format digital negative derived from a RAW digital file. Fomatone paper, split-toned in selenium.
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