Snow Tyre
Lith print on Adox Nuance Grade 3, untoned Last winter in the garden here at Weeping Ash.
Continue reading →Lith print on Adox Nuance Grade 3, untoned Last winter in the garden here at Weeping Ash.
Continue reading →Lith print on Adox Nuance Grade 3 paper, selenium and gold toned. A print made from a 120 film negative exposed in an old Koroll camera; HP5 developed in Rodinal.
Continue reading →Kentona paper, 2nd-pass lith development. The so-called Brontë Bridge is near Haworth, Yorkshire and was, by all accounts, a place often frequented by the Brontë Sisters. Read more about them here.
Continue reading →Print on Kentona(?) paper, 2nd-pass lith development. Original print on – I believe – untoned Kentona paper in D-163 developer, then fully bleached in ferricyanide and redeveloped in Ansco 70 lith developer. The curious split-toning that has resulted was an … Continue reading →
Lith print on Foma Nature 532. From an old 120 negative that had a processing fault resulting in a mottled bubble effect over the lower half. It never worked as a normal print because of this, but the lith process … Continue reading →
Lith print on Fomatone MG Classic paper. Lith print made from a 120 film negative, printed on Fomatone 131 Glossy and developed in LD-20.
Continue reading →click to embiggen Digital lith image from a scanned silver negative on 120 film This vase is an original Clarice Cliff design. It has been in the family since the 1930s and came to me after mum died. It forms … Continue reading →
Meandering Jetty, Maylandsea, Essex Lith print on Fomatone MG Classic, from a 6x9cm negative on HP5 film.
Continue reading →Click on images to embiggen… Lith print on Fomatone, toned with gold. Lith print on Adox Nuance Grade 3, toned in weak selenium, followed by gold. Conventional silver print on Adox Nuance Grade 3, toned with selenium. Print on Fomatone … Continue reading →
The entrance to Lacock Abbey, birthplace of the positive-negative process. The original print from which this scan was made dates from the 1980s and was made on Kodalith Transtar TP paper, one of the nicest lith papers ever produced, developed … Continue reading →