Lith print on Foma Nature 532. From an old 120 negative that had a processing fault resulting in a mottled bubble effect over the lower half. It never worked as a normal print because of this, but the lith process … Continue reading →
Lith print on Fomatone MG Classic paper. Lith print made from a 120 film negative, printed on Fomatone 131 Glossy and developed in LD-20.
Continue reading →Lith print on Fomatone MG Classic, developed in a soup of LD-20 and Ansco 70. A different viewpoint on the church shown in this post.
Continue reading →Click to embiggen Lith print from a digital negative contact printed on Fomatone paper, LD20 developer. untoned. From a digital negative made from a Nikon digital image, printed on Fomatone MG Classic paper, lith processed in LD20. A tableau photographed … Continue reading →
Meandering Jetty, Maylandsea, Essex Lith print on Fomatone MG Classic, from a 6x9cm negative on HP5 film.
Continue reading →Click on images to embiggen… Lith print on Fomatone, toned with gold. Lith print on Adox Nuance Grade 3, toned in weak selenium, followed by gold. Conventional silver print on Adox Nuance Grade 3, toned with selenium. Print on Fomatone … Continue reading →
The entrance to Lacock Abbey, birthplace of the positive-negative process. The original print from which this scan was made dates from the 1980s and was made on Kodalith Transtar TP paper, one of the nicest lith papers ever produced, developed … Continue reading →
Split-toned lith print from film negative. I’m not completely happy with this one and feel it needs more attention. Fomatone MG Classic paper, developed in LD20 and toned in selenium.
Continue reading →Golden Cockerel, lith print from 120 film negative, on Fomatone MG Classic. Perhaps the best colour achieved by me in a lith print to date. This was produced at the end of a printing session with nearly exhausted LD20 developer. … Continue reading →
Near Maylandsea. Lith print made on Fomatone MG Classic paper, developed in LD20 developer. Some interesting greenish blacks amongst the warm tones here.
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