Category Archives: Chemical Lith Process

Image produced by the lith development process on conventional silver-gelatin paper.

Happisburgh Beach, Norfolk

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Pevensey Bay Breakwater – 2

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Pevensey Bay Breakwater – 1

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Surprise

  Lith print on Fomatone 131, untoned This is a view of the Buckeye Tree outside our kitchen window. When I put the bird box up its position was not pre-determined, I just fixed it in what I thought would … Continue reading

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Fury, Harlow Town Park

Lith print on Fomatone MG Classic Glossy, toned in selenium and gold This print is made on Fomatone 131 Glossy from an Ilford Delta 100 negative developed in PMK developer.

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Snow Tyre

Lith print on Adox Nuance Grade 3, untoned Last winter in the garden here at Weeping Ash.

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Windfalls

Lith print on Adox Nuance Grade 3 paper, selenium and gold toned. A print made from a 120 film negative exposed in an old Koroll camera; HP5 developed in Rodinal.

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Bronte Bridge, Haworth, Yorkshire

Kentona paper, 2nd-pass lith development. The so-called Brontë Bridge is near Haworth, Yorkshire and was, by all accounts, a place often frequented by the Brontë Sisters. Read more about them here.

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Thornton Force, Yorkshire

Print on Kentona(?) paper, 2nd-pass lith development. Original print on – I believe – untoned Kentona paper in D-163 developer, then fully bleached in ferricyanide and redeveloped in Ansco 70 lith developer. The curious split-toning that has resulted was an … Continue reading

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Tate Modern

Print on Ilford Multigrade Warmtone Fibre, 2nd-pass lith development. Original print processed conventionally on Ilford Warmtone Multigrade FB, selenium toned, then bleached in ferricyanide and redeveloped in Ansco 70 lith developer. Ilford Warmtone is a paper that does not lith … Continue reading

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