(n.) Love of darkness or night; finding relaxation or comfort in the darkness.
All darkroom users should experience this...
Category Archives: Chemical Lith Process
Lith print on Fomatone 131, untoned This is a view of the Buckeye Tree outside our kitchen window. When I put the bird box up its position was not pre-determined, I just fixed it in what I thought would … Continue reading
Lith print on Fomatone MG Classic Glossy, toned in selenium and gold This print is made on Fomatone 131 Glossy from an Ilford Delta 100 negative developed in PMK developer.
Lith print on Adox Nuance Grade 3, untoned Last winter in the garden here at Weeping Ash.
Lith print on Adox Nuance Grade 3 paper, selenium and gold toned. A print made from a 120 film negative exposed in an old Koroll camera; HP5 developed in Rodinal.
Kentona paper, 2nd-pass lith development. The so-called Brontë Bridge is near Haworth, Yorkshire and was, by all accounts, a place often frequented by the Brontë Sisters. Read more about them here.
Print on Kentona(?) paper, 2nd-pass lith development. Original print on – I believe – untoned Kentona paper in D-163 developer, then fully bleached in ferricyanide and redeveloped in Ansco 70 lith developer. The curious split-toning that has resulted was an … Continue reading
Print on Ilford Multigrade Warmtone Fibre, 2nd-pass lith development. Original print processed conventionally on Ilford Warmtone Multigrade FB, selenium toned, then bleached in ferricyanide and redeveloped in Ansco 70 lith developer. Ilford Warmtone is a paper that does not lith … Continue reading